Full disclosure: this is not an unbiased book review. This review is for a book written by a personality that I, and indeed, many of you, know well. Talkbacker’s own Indiana Peach, also known by his Tribe+ name of Goldeneye. Also known as OfficeSpace. Also known as BlueChipsPG13. And of course, known most affectionately by many of us as simply “cunt”. But cunt or not, Indiana Peach is my BFF, and so I absolutely cannot promise anything remotely resembling a fair and balanced overview of his work. On the other hand, I don’t really care much if I hurt his feelings (he’s a cunt, remember?) so I feel that I am in a unique position to offer some honest insight into this promising young author’s equally promising debut work of literature: Curb Stomp a Crocodile, book one of The Cairo Detective series.
People tend to mistake Peach’s antics for evidence of some form of mental incapacity. Along with the fact that he tends to revel in being both deliberately abstruse and obstinately obtuse, the thought is that here is a man who is really nothing more than a clown, a Dojo simpleton, merely here to annoy us and to amuse himself.
Well, get it through your heads, people. This class-clown wrote a goddamn mystery novel, and it’s pretty goddamn good. Can you write a mystery novel? Of course not. It’s crazy hard. I have no idea how he did it. It’s like he’s smart or something. In fact, after reading this book, I would like to compare him to George Newman, “Weird” Al Yankovic’s character from UHF. Why? Because he’s got imagination.
The characters in this book are really alive. You can see them perfectly in your mind’s eye as the story sweeps you along in a roller-coaster ride of sex, violence, and intrigue. A true pulp noir classic.
Peach has style. He flubs it here and there, gets a little too “jokey” — one senses he is never afraid to merely amuse himself, reader be damned, although he keeps a better reign on this than the average Dojo regular might expect — but always his propulsive prose is there to throw you a colorful metaphor or a delightful visual, keeping you interested, keeping your fingers turning those pages.
The dialogue is fearless. I can tell you as someone who has written endless reams of bad dialogue. Peach fuckin’ goes for it. If you’ve been following this Disqus monster for any length of time, you will recognize much of him in his characters. His voice is peppered throughout. One suspects, particularly (and not unexpectedly), that this voice arises primarily in Jonas, the eponymous Detective of Cairo, Illinois (and that’s pronounced care-oh, by the way). But it also surfaces in the intriguing figure that shares business space with the Detective — Father Krupke. Krupke and Jonas are Peach’s superego and id. You decide which is which.
The book has everything. Golf. Fishing poles. Girl-on-girl. Cops eating doughnuts. All of that in merely the opening chapters. I don’t want to spoil anything so I won’t tell you if there’s a murder or not. But it is a mystery novel, so there’s probably at least a body. And how it all works out is pure plotting genius. An excellent book, and highly recommended to those who want to have a hell of a good time reading a fun little mystery on a Sunday afternoon.
by Beef and Onions